James Wan is one of the most successful horror director-producers of his generation as the co-creator of the
Saw,
Insidious, and
Conjuring movie franchises, and is the first Asian filmmaker to make two movies grossing over $1 billion each at the worldwide box office.
After writing and directing (with Shannon Young) the unreleased movie
Stygian (2000) as his debut, Wan, with creative partner Leigh Whannell, concocted
Saw (2004), which marked his proper big-screen directorial start, co-starring Cary Elwes, Danny Glover, and Ken Leung, and which grossed a remarkable $104 million based on $1 million costs. The phenomenal success spawned one of horror’s most durable franchises, for which Wan was executive producer on
Saw II (2005),
Saw III (2006),
Saw IV (2007),
Saw V (2008),
Saw VI (2009),
Saw 3D (2010) and
Saw X (2023); Wan took story credit on only one in this franchise run, which was
Saw III.
James Wan didn’t repeat this hit status with the horror movie,
Dead Silence (2007), with Amber Valletta, Donnie Wahlberg, and Bob Gunton, which lost money for Universal Pictures. Wan was the director of another box-office failure ($16 million against $20 million costs) with 20
th Century Fox’s vigilante thriller,
Death Sentence (2007), starring Kevin Bacon, Garrett Hedlund, Kelly Preston, Aisha Tyler, and John Goodman. Wan reversed this downward trend three years later as director/editor of the Whannell-written
Insidious (2010), starring
Patrick Wilson, Rose Byrne, and Barbara Hershey, matching Saw’s box-office record with a $100 million global gross (on $1.5 million costs) for distributor FilmDistrict.
Wan directed the Warner Bros. horror thriller,
The Conjuring (2013), spawning yet another long-running franchise with a spectacular $319.5 million worldwide gross, and co-starring
Vera Farmiga,
Wilson, Ron Livingston, and Lili Taylor. James Wan returned to the building Insidious franchise as director and story writer of
Insidious: Chapter 2 (2013), with new cast members Lin Shaye and
Ty Simpkins, which earned $162 million globally, leading to further movies in the series for which Wan was producer only, including
Insidious: Chapter 3 (2015),
Insidious: The Last Key (2018), and
Insidious: The Red Door (2023), grossing a cumulative $470 million worldwide.
In a major shift of genres, Wan was director only of the seventh movie in the
Fast & Furious franchise,
Furious 7 (2015), proving to be a mega-hit with a powerhouse $1.5 billion global take, and co-starring Vin Diesel, the late Paul Walker,
Dwayne Johnson,
Jason Statham, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Jordana Brewster, Djimon Hounsou, and Kurt Russell. Wan again departed from his horror roots as director and story writer of the DC Comics franchise project,
Aquaman (2018), starring
Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II,
Nicole Kidman, and became the highest-grossing DC Comics movie with a worldwide gross of $1.15 billion.
James Wan returned to horror, with several goofy twists, as director/producer/story writer of
Malignant (2021), co-starring Annabelle Wallis,
Maddie Hasson, George Young, and Michole Briana White, and released in a simultaneous theatrical and streaming pattern by Warner Bros., dampening theatrical box-office with only a $35 million return. Wan returned to DC Comics to direct and produce (as well as taking a story credit) the long-delayed and complicated production of the $205-budgeted sequel,
Aquaman and the Lost Kingdom (2023), reuniting the original cast but prominently starring Momoa and Wilson.
Since 2014, James Wan has been busier as a producer of a string of largely money-making horror movies and franchises, including
Annabelle (2014),
Demonic (2015),
Lights Out (2016),
Annabelle: Creation (2017),
The Curse of La Llorona (2019),
Mortal Kombat (2021),
There’s Someone Inside Your House (2021),
The Nun II (2023),
Night Swim (2024),
Salem’s Lot (date to be announced),
The Tommyknockers (date to be announced),
Mortal Kombat (date to be announced), and
Border Patrol (date to be announced). Wan was also a story writer and producer on the $366-million-grossing
The Nun (2018), as well as
Annabelle: Comes Home (2019),
The Conjuring: The Devil Made Me Do It (2021), and Universal’s hit horror movie, the $181-million-grossing
M3GAN (2022).