Paul Thomas Anderson is one of the rare American filmmakers of his generation who has created personally driven and conceived movies outside of genre categories and on a large scale within the studio system, building his status as an artist whose every new release is considered an event. He is the only filmmaker to have won the Silver and Golden Bear (Berlin Film Festival), Silver Lion (Venice Film Festival), the Best Director Palme d’Or (Cannes Film Festival), and a three-time winner of FIPRESCI’s (the International Federation of Film Critics) Grand Prix Film of the Year.
Anderson’s debut feature revealed the talent to come with the engaging Vegas-set crime thriller,
Hard Eight (1996), based on his 1993 short film,
Cigarettes & Coffee, co-starring Philip Baker Hall,
John C. Reilly, Gwyneth Paltrow and
Samuel L. Jackson, and premiering at the Sundance Film Festival and in competition at the Cannes Film Festival’s Un Certain Regard selection before a release by Samuel Goldwyn Company.
Anderson’s breakthrough feature as director/writer/producer was his second movie, the dazzling Valley-set comedy-drama,
Boogie Nights (1997), an expansion of his 1988 mockumentary short film,
The Dirk Diggler Story, starring
Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, Reilly, William H. Macy and Heather Graham, launching at the Toronto Film Festival and released to a robust $43 million return by New Line Cinema after earning three Oscar nominations, including Anderson’s first for Best Original Screenplay.
Anderson continued his exploration of characters in his native San Fernando Valley in Los Angeles as director/writer/producer of the wild, multi-character drama,
Magnolia (1999), with the ensemble of Jeremy Blackman,
Tom Cruise (Oscar nominated for Best Supporting Actor), Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, Macy, Alfred Molina, Moore, Reilly, Jason Robards, Melora Walters, premiering at the Berlin Film Festival (where it won the Golden Bear Best Film prize) and receiving three Oscar nominations (including a second Best Original Screenplay nod for Anderson) and grossing $48.5 million for New Line Cinema.
Paul Thomas Anderson’s first movie backed by a studio (Columbia Pictures/Sony Pictures Releasing) was his third consecutive movie set in the Valley, the loopy romantic comedy-drama,
Punch-Drunk Love (2002), starring Adam Sandler in a career-altering role, Emily Watson, Philip Seymour Hoffman and Luis Guzman, launching in competition in the main selection at the Cannes Film Festival (where Anderson won the Best Director Palme) and grossing $24.7 million worldwide.
Anderson made a jump out of the Valley and contemporary settings with his ambitious, brilliant and first novel-to-screen adaptation about the California oil boom,
There Will Be Blood (2007), based on Upton Sinclair’s 1927 novel,
Oil!, starring Daniel Day-Lewis (who won the Best Actor Oscar),
Paul Dano, Kevin O’Connor, Ciaran Hinds and Dillon Freasier, premiering at the Fantastic Fest, winning two of seven nominated Oscars (including Anderson’s first Best Picture nod), grossing over $76 million for lead producers-distributors Paramount Vantage (U.S.)/Miramax Films (international).
Anderson began his multi-film exploration of the novels of Thomas Pynchon (
V. from 1963) with his original Scientology-inspired drama as director/writer/producer,
The Master (2012), also inspired by John Huston’s 1946 WWII documentary,
Let There Be Light, and John Steinbeck’s life story, co-starring
Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams, with Laura Dern,
Rami Malek, Jesse Plemons and Kevin J. O’Connor, and which was filmed and released in 70mm, launching at the Venice Film Festival (where it won the Silver Lion Best Director prize and a shared Volpi Cup Best Actor prize for Phoenix and Hoffman) and three acting Oscar nomination (including for Adams), grossing $28.3 million for distributor The Weinstein Company.
Anderson cast Phoenix once again in the lead and more literally adapted a Pynchon novel with the lighter neo-noir stoner comedy,
Inherent Vice (2014), co-starring
Josh Brolin, Owen Wilson,
Katherine Waterston, Reese Witherspoon,
Benicio del Toro, Martin Short, Jena Malone and Joanna Newsom, launching in the New York Film Festival’s Main Slate and earning two Oscar nominations (including Best Adapted Screenplay for Anderson) and delivering a $15 million return for distributor Warner Bros.
Paul Thomas Anderson was director/writer/producer of his first film shot in Europe and his second starring Daniel Day-Lewis as a 1950s-era haute couture designer, the elegant and stirring
Phantom Thread (2017), co-starring Vicky Krieps, Lesley Manville, Camilla Rutherford and Gina McKee, and receiving six Oscar nominations including two for Anderson (Best Picture, Best Director) and one win (Best Costume Design) and earning nearly $49 million worldwide for distributors Focus Features (U.S.)/Universal Pictures (international).
Anderson as director/writer/producer/co-cinematographer returned to his Valley origins—though set in 1973, when he was actually only three years old--for the scintillating coming-of-age comedy drama,
Licorice Pizza (2021), starring Alana Haim,
Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper and
Benny Safdie, resulting in three Oscar nominations for Anderson (Best Picture, Director, Original Screenplay), with lead producer MGM and Focus Features, and a $33.3 million box officer return for United Artists Releasing (U.S.)/Universal Pictures (international).
Anderson returned as director/writer/producer/co-cinematographer to the world of Thomas Pynchon—albeit quite loosely—for the sprawling action thriller,
One Battle After Another (2025), starring
Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor and Chase Infiniti, filmed in the now-rare 35mm format of VistaVision, produced by Ghoulardi Film Company and released wide by Warner Bros. Pictures.
Anderson has also directed a non-fiction film,
Junun (2015), chronicling the making of the album of the same name by Shye Ben Tzur, Jonny Greenwood and the Rajasthan Express, and Anderson has also directed 25 music videos (for artists ranging from Michael Penn, Fiona Apple and Aimee Mann to Radiohead and Haim) as well as seven short films from 1988 to 2019 (about the Thom Yorke album,
Anima).